Concerning The Spiritual In Art: Inaugural Exhibition For a Curatorial Alternative Space In Miami
A
little over a century ago, Wassily Kandinsky announced the
consolidation of a new abstract language, originating in inner
necessity, in spiritual need. André Malraux later reaffirmed that
conviction through a prediction which, up to the moment, appears to have
been erroneous: “(Art of) The 21st century will either be spiritual, or
it will not be.”
At
a time when a large part of art dances to the beat of commercial
cynicism, Aluna Art Foundation is inaugurating its alternative space for
curated exhibitions with a show that rescues the title of the book with
which Kandinsky’s threshold concepts opened up the doors to a new
understanding: “Concerning the Spiritual in Art” (1911).
The
works exhibited in this show reflect a human aspiration that is
impossible in principle: to provide a form to that which is formless. To
represent the unrepresentable. What renders them valuable is the
invention of languages which, in different ways, bring the dialogue with
the invisible to the domain of the senses and of thought; the attempt
to contain in a visual dimension the relationship of the being with
transcendence. Although there is a wide formal diversity in the media
employed, all the works constitute an approach to a dialogue with
infinity, and each of them incarnates a search for unity not only
between individual expression and the universal unconscious, but between
art and life: each invited artist engages in a particular form of
contemplation, or, in other words, is a seeker of that ultimate “unity”
which is the base for forming words such as “religion” (from the Latin
“re”, again, and “ligare”, bind), in its wider sense.
“The
spiritual life,” Kandinsky wrote, “to which art belongs and of which
she is one of the mightiest elements, is a complicated but definite and
easily definable movement forwards and upwards. This movement is the
movement of experience. It may take different forms, but it holds at
bottom to the same inner thought and purpose.”
“Concerning
the Spiritual in Art” gathers together thirteen artists living in Miami
− or who have been linked to the city − who share the wish to make the
invisible visible, and the knowledge that each work transforms the space
and the reality of the beholder.
The
participating artists are the Argentinean Nicolás Leiva, the
Venezuelans Andrés Michelena, Evelyn Valdirio and Lili(ana), the Cubans
Heriberto Mora and Raimundo Travieso, and the Colombians Jorge
Cavalier and Sara Modiano (1951-2010). With the exception of Modiano’s
seminal installation, Ser, included as a tribute to this
valuable artist who passed away, and who embarked with this work on her
search for a representation of the soul, the rest of the pieces reveal
little known phases in the production of the invited artists, either
because they are part of their most recent work, including pieces that
mark the beginning of a new type of exploration, or because although
being of great interest, they have never been exhibited before. Also in
the adjacent spaces we will have the participation of the painter
Margarita Lega and the photographer Juan Carlos Mirabal. Parallel to
this, the "Mad Cow Project Room" will be hosting a performance by the US
artist Billie Grace Lynn.
From
a vision of the eternal photographed in a fleeting instant to the
experience of the hand that hits the metal with the concentration of a
prayer, or that pretends to play on the surface of silk imitating the
movement of retreating waves; from the combination of the trace of a
line that synthesizes a spiritual gesture and the artisanal work in a
loom to the attempt to unify, on wood or canvas, images of the
timelessly sacred and the historical, each of the works included −
photographs, paintings, or installations − have originated from
different modes of contemplation, and induce it.
ALUNA ART FOUNDATION | From August 25 to September 29, 2012 | Opening at 7:00pm
MAIN GALLERY
Concerning the Spiritual in Art | Curated by Aluna Curatorial Collective (Adriana Herrera and Willy Castellanos)
FOCUS LOCUS
The Sons of the Island | A Photographic Essay (selection) by Cristobal Herrera-Ulashkevich
MAD COW PROJECT ROOM
Billie Grace Lynn | Performance at 9:00pm
Aluna Art Foundation
172 West Flagler, Miami FL 33130 | Ph.: 305-305-6471
www.alunartfoundation.com is under construction | alunartfoundation@gmail.com
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