AN EXHIBITION ABOUT THE UNLIMITED DESIRE FOR POWER
This July 14th, Hardcore
Art Contemporary Space presents the first solo exhibition in Miami of
Cuban artist Carlos Gámez de Francisco (b. Holguín, Cuba, 1987): "Radical
Genealogy: The Decline of Dauphins, Courtesans, and Hounds", curated
by Aluna Curatorial Collective | Adriana Herrera & Willy Castellanos).
Gámez appropriates the
aesthetic of the opulent and decadent atmosphere of the days of the last
French monarchs to create a parable of absolute power. Black humor serves as the
narrative thread linking pictorial scenes in which the bloody and the absurd
converge with ostentatious fashion.
Each frame opens a window onto a story that
functions simultaneously as a prophetic mirror: in its background one may catch
a glimpse of the fate that awaits the characters thriving on excessive power.
Its different modes of perpetuation, sometimes associated to a perverted Eros,
culminate − as do the diverse series and animations by the artist − in the
genetic defects (metaphors for the social disorders) and in the death sentences
which the French Revolution associated with the guillotine. The famous
attraction of the abyss exerted by the unrestrained libido is as strong and
deceitful as the seduction exerted by the libido imperandi, the
wish for unlimited power.
Despite being a young artist,
this will be Gámez 13th solo exhibition. In 2011, he won
the Norman Kohlepp Merit Awards, from the Louisville Visual Art
Association, Louisville, Kentucky. In 2007 he won the award for Best
Short Film in the Seventh National Festival of Audiovisual “By First Time”,
Holguín, Cuba.
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